SPIKE LEE RETROSPECTIVE

We’ve put together a Spike Lee Retrospective, where our team reflects on their favorite Spike Lee films in his diverse filmography, from the sharp satire of Bamboozled to the nostalgic heart of Crooklyn. Our writers explore how Lee’s cinematic style and themes have evolved over the years, breaking down key films like Inside Man and Summer of Sam. These retrospective articles highlights not only his artistic range but also the cultural and social contexts that shape his work. By looking back at his past films, we provide important context for understanding his newest project, Highest 2 Lowest, showing how Lee’s storytelling continues to connect with today’s audiences. This series is designed to enrich the experience of both longtime fans and newcomers alike. Through it all, we emphasize the lasting impact and relevance of Spike Lee’s contributions to modern cinema.

CROOKLYN

““The details are so particular and unique, ‘Crooklyn’ becomes immediately and infectiously transportive; it’s a step back in time in film-form.””

— Chris Richmond

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BAMBOOZLED

“‘Bamboozled’ doesn’t work today because its satire was strictly true in 2000. It works because it’s still true today.””

— Todd Pengelly

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SUMMER OF SAM

“…Lee wants us considering the ripple effects that these cold-blooded killings have on a hyper-proud, hyper-macho and fiercely tight-knit community…”

— Taylor Beaumont

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INSIDE MAN

“It might be the least ‘Spike Lee’ Spike Lee film, but he and cinematographer Matthew Libatique make sure that it is still very much a Spike Lee film at least in tone and feel.”

— Matthew Simpson

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